Conversation

Since the 1930s, artist-instructors such as Berenice Abbott, Thomas Hart Benton, Stuart Davis, Lewis Mumford, Jose Clemente Orozco, and Ralph Pearson have brought a resolve of professionalism to The New School. Legendary art historian Meyer Schapiro’s lectures of 1936-1952 thrilled a generation with their sense of philosophical dialogue. Painter Robert Motherwell said, “It was in order to study with Meyer Schapiro that I came to New York.” Since then, The New School has hosted international art luminaries from Joseph Beuys to John Currin to Trisha Donnelly. Yet, the institution now finds itself at a crossroads of purpose and identity. How should it go forward in art education? What is “academic” and what is “professional”? What has the university been doing right? What has the university been doing wrong? Artist-instructor John Zinsser hosts an open discussion with current and former New School students, asking questions essential to the ongoing mission of the arts at The New School.

Presented as part of the week-long exhibition and event series, “By Any Name: Institutional Memory at The New School.”