Study Group

On Necessary Work

Mar 17, 2022

7:00–8:00pm ET

Online, 7 pm Eastern Standard Time
For AEST dates and times see below

Thursday, February 17, Guest speaker: Rob Wallace

Thursday, March 10, Guest speakers: Imogen Beynon and Consuelo Vargas

Thursday, March 17, Guest speakers: Chiara Bottici and M. E. O’Brien
In person at Annex, Level C, Brooklyn Army Terminal, 80 58th St, Brooklyn, NY 11220

“In the context of post-pandemic reckonings, the idea of labor as an unpaid debt represents itself as that of a heroic sacrifice remunerated by applause”

Angela Mitropoulos, Pandemonium, Proliferating Borders of Capital and the Pandemic Swerve, 2020, Pluto Press

On Necessary Work is a three-day study group organized by Adelita Husni Bey and the Department of Drawing and Printmaking, Victorian College of the Arts, with support from the Centre of Visual Art at the University of Melbourne. It is co-presented with the Vera List Center for Art and Politics at The New School in conjunction with Adelita Husni Bey’s These Conditions, an exhibition and pedagogical film set at the Brooklyn Army Terminal (February 8 through April 8, 2022). Adelita Husni Bey is a 2020–2022 Fellow at the Vera List Center and a 2020–2021 Fellow at the Victorian College of the Arts.

At the time of writing Melbourne has gone from being the most locked-down city in the world to have one of the highest rates of infection with the Omicron variant, but public health measures have kept the death toll in the state of Victoria to just over 2000. Meanwhile, the state of New York, which began gradually reopening in July 2021, confronts a death toll that has surpassed 65,000. New York state has roughly three times the population of Victoria, which means that the death toll has been roughly ten times greater than in Victoria. This study group will help us reflect on international strategies and protocols in response to COVID-19, underpinned by previous pandemics, ideologies, and infrastructures. By engaging voices with different experiences of the current pandemic across distant geographies, the group will explore how material conditions have been reconfigured for workers, especially those who hold “reproductive” functions in society.

The study group convenes around the concept of ‘necessary work’ as a cipher for what undergirds and normalizes capitalist production in crisis, following a Marxist feminist understanding of reproductive labor. On this occasion, we also study the language used in protocols that insist on the necessity of work during the pandemic by assigning ‘critical’ status to certain infrastructural and industrial sectors by shifting risk, coded as ‘responsibility ’ to the workers. For instance, we explore the guidelines issued by the US government on the 19th of March 2020, which state that: “in a critical infrastructure industry… such as healthcare services and pharmaceutical and food supply and instructing them: you have a special responsibility to maintain” your “normal work schedule.”

The first hour, which is open to the public, will be dedicated to one or more speaker presentations followed by a Q&A. During the second part of the event Adelita Husni Bey, supported by Alex Martinis Roe (VCA), will offer exercises to embody and develop a somatic relation to the text assigned by the guest speaker in the more intimate setting of the study group that is open to VCA students only.

The study group will take place in three 1-hour sessions: Thursday, February 17; Thursday, March 10; and Thursday, March 17,  7–8 pm Eastern  Time. (Friday, March 18; Friday, March 11; and Friday, March 18, 9 am – 10 am Australian Eastern Standard Time). Dates are subject to change and a full speaker line up to be announced. All events will be held online, via Zoom, unless otherwise specified.


 

Thursday, February 17, 7 pm EST Guest speaker: Rob Wallace

Rob Wallace is an evolutionary epidemiologist with the Agroecology and Rural Economics Research Corps in St Paul. His work primarily addresses the ways agriculture impacts public health. Wallace is co-author of a number of technical works, including Neoliberal Ebola: Modeling Disease Emergence from Finance to Forest and Farm. He is also the author of two essay collections: Big Farms Make Big Flu: Dispatches on Infectious Disease, Agribusiness, and the Nature of Science and Dead Epidemiologists: One the Origins of COVID-19. He has consulted for the Food and Agriculture Organization of the United Nations and the Centers for Disease Control and Prevention.

On Necessary Work: Robert Wallace

Thursday, March 10, 7 pm EST Guest speakers: Imogen Beynon and Consuelo Vargas

Imogen Beynon is a Deputy Director at the United Workers Union, a trade union representing over 150,000 workers in 45+ industries–including early childhood education and care, aged care, hospitality, logistics, manufacturing, and more. Imogen is also an Employee Director of industry superannuation fund, Hostplus, and a current board member of NAVA. Her professional experience includes senior leadership positions in government with key responsibilities across industrial law, strategic leadership, regulation, and policy. She is passionate about re-imagining and rebuilding strong worker movements, including through a series of projects at the intersection of art, labor, and the conditions of artistic production. Imogen holds a Bachelor of Laws (Honours – First Class) and a Bachelor of Fine Arts (Honours – First Class), both from Monash University.

Consuelo Vargas is a Registered Nurse in Chicago and has spent most of her career working in the Emergency Department. As a member of National Nurses United, she worked with a team of Registered Nurses to plan and carry out a successful strike. This was historic because nurses had not gone on strike since the early 1970s and COVID brought about different challenges. Consuelo is taking a break from the bedside to recover from working in COVID and continue her education. During her sixteen-year career, she has also visited Peru and Guatemala doing medical missions.

On Necessary Work: Imogen Beynon and Consuelo Vargas

Thursday, March 17, 7 pm EDT Guest speakers: Chiara Bottici and M. E. O’Brien Annex, Level C

Brooklyn Army Terminal, 80 58th St, Brooklyn, NY 11220

Chiara Bottici is a philosopher and writer. She is Associate Professor of Philosophy and Director of Gender and Sexuality Studies at The New School. She is the author of Imaginal Politics: Images beyond Imagination and The Imaginary (Columbia University Press, 2014), A Philosophy of Political Myth (Cambridge University Press, 2007), and Men and States (Palgrave, 2009). With Benoit Challand, she also co-authored Imagining Europe: Myth, Memory, Identity (Cambridge University Press, 2013) and The Myth of the Clash of Civilizations (Routledge, 2010). She also co-edited the collections of essays The Politics of Imagination (Routledge, 2011, with Benoit Challand), The Anarchist Turn (Pluto 2013, with Simon Critchley and Jacob Blumenfeld), and Feminism, Capitalism and Critique (Palgrave 2017, with Banu Bargu).

M.E. O’Brien writes at the intersection of communist theory, trans liberation, LGBTQ social-movement studies, and feminism. Her co-authored speculative novel, Everything for Everyone: An Oral History of the New York Commune, 2052–2072, will be published by Common Notions in July 2022. She co-edits two magazines, Pinko, a Magazine of Gay Communism, and Parapraxis, a new publication of psychoanalytic theory. She has published articles on family abolition for Endnotes, Homintern, and Pinko.  Previously, she coordinated the New York City Trans Oral History Project and worked in HIV and AIDS activism. She completed a Ph.D. at NYU, where she wrote on how capitalism shaped New York City LGBTQ social movements. You can support her writing through patreon.com/meobrien, and find her on twitter @genderhorizon.


 

On Necessary Work: M. E. O’Brien and a reading from Chiara Bottici

Adelita Husni Bey is an artist and pedagogue interested in anarcho-collectivism, theater, law and urban studies. She organizes gatherings, produces workshops and exhibition work focused on using non-competitive pedagogical models through the framework of contemporary art. Working with activists, architects, jurists, schoolchildren, spoken word poets, actors, urbanists, physical therapists, athletes, teachers and students across different backgrounds her work focuses on articulating the reality of collectivity under capitalism. Exhibitions include: Maktspill Bergen Kunsthall, 2020, Chiron, New Museum, 2019, Being: New Photography, MoMA, 2018, Dreamlands, Whitney Museum, 2016, The Eighth Climate, 11th Gwangju Biennale, 2015. She is a 2012 Whitney Independent Study Program fellow, a 2020–2022 Vera List Center for Art and Politics fellow and has represented Italy at the Venice Biennale of Art, 2017 with a video installation rooted in anti-extractivist struggles. She currently teaches at Cooper Union, New York. 

Alex Martinis Roe is an artist and researcher working with film, workshops, public events, and publications on feminist genealogies, seeking to foster relations between different generations and positions as a way of participating in the construction of feminist histories and futures. Her project To Become Two (2014–2018) was co-commissioned as a cycle of solo exhibitions by If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, Casco Art Institute, The Showroom, and ar/ge kunst, and was also shown at Badischer Kunstverein and presented at the Centre George Pompidou as part of Mai 68 – Assemblée Générale (2018). She was the 2018 recipient of the Future of Europe Art Prize and work from her current project Alliances (2018 – ongoing) has been exhibited at GfZK – Museum of Contemporary Art Leipzig (solo, 2018), Frac Lorraine, Metz (2018), and in 1 Million Roses for Angela Davis, Kunsthalle im Lipsiusbau, Dresden (2020–2021). She was a fellow at Graduiertenschule UdK Berlin (2013–2016) and is currently Head of Drawing and Printmaking at the Victorian College of the Arts, Melbourne. 

CoVA and Drawing and Printmaking at the VCA:

Drawing and Printmaking at the Victorian College of the Arts supports invited fellows to undertake a research project in collaboration with students that contributes to reframing the Department’s disciplines towards art practices that address the complex problems of the 21st Century. The fellowships are made possible by the Stuart Black Trust with the support of The Centre of Visual Art (CoVA). CoVA was established to support collaborative visual arts research at the University of Melbourne and incorporates the research strengths of the Victorian College of the Arts and the School of Culture and Communications. Current research programs include Postnational Art Histories, Art + Science, the Asia Pacific Art Network and Feminism and Intersectionality. For more information about CoVA and its programs, visit the CoVA website. For more information about Art at the Victorian College of the Arts, visit the VCA website.

Vera List Center for Art and Politics:

The Vera List Center Fellowships support individuals whose work advances the discourse on art and politics. The appointments provide the opportunity to research and develop a project drawing from the curatorial, academic, and professional resources of the Vera List Center and The New School, and to bring the research and resulting work to the public through the Vera List Center’s interdisciplinary public programs and organizational networks. Through their projects, the Fellows contribute to the intellectual foundation of the Center and benefit from the engagement of New School faculty and students. With each biennial Focus Theme, a new VLC Fellowship cohort is appointed. Adelita Husni Bey is a 2020-2022 VLC Fellow. For more information about the VLC and fellowship programs visit the VLC website.

Adelita Husni Bey’s These Conditions is a 2020–2022 Vera List Center Fellowship-commissioned project and has been supported by research assistance, production grants, and curatorial support by the Vera List Center for Art and Politics as part of its As for Protocols focus theme. It is curated by Eriola Pira and Carin Kuoni, with curatorial assistance from Camila Palomino. The project is also supported by the Italian Council (10th edition, 2021), a program to promote Italian contemporary art in the world by the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture. Castello di Rivoli Museo d’Arte Contemporanea is the cultural partner and receiving museum of the commissioned work in Italy. Additional support has been provided by the Brooklyn Army Terminal (New York City Economic Development Corporation). Special thanks to Catherine Gund, DIVA TV, and ACT UP (actupny.com).

This project and the Spring 2022 programs of the Vera List Center for Art and Politics at The New School are generously supported by members of the Vera List Center Board, individual donors as well as the following institutional funders:

The Andrew W. Mellon Foundation
The Andy Warhol Foundation for the Visual Arts
Boris Lurie Art Foundation
Dayton Foundation
Ford Foundation
Italian Council
Kettering Fund
Native Arts and Cultures Foundation
Pryor Cashman LLP
and
The New School

Related

Exhibition

Adelita Husni Bey: These Conditions

Feb 8–Apr 10, 2022

Dialogue, Screening

Gathering: VLC Fellow Adelita Husni Bey in Dialogue with Robert Sember

Oct 7, 2020