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Screening
Revolution on Film 2
Nov 7, 2015
12:00–4:00pm ET
Kellen Auditorium
The New School
66 Fifth Avenue at 13th Street
Abounaddara’s films draw on cinematic legacies of filmmakers using experimental methods to document revolution, war, and growth in times of crisis. A selection of films mixed with Abounaddara shorts has been organized into two days of educational screenings in support of New School classes. Many of the collective’s members remember watching a promotional short film from the Syrian government as children each time they went to the movie theatre. Following this model each feature film is proceeded by an Abounaddara short film. Program developed in consultation with exhibition curators Dork Zabunyan and Anne Marquez.
Films
Abounaddara, Apocalypse Here
Harun Farocki, Images of the World and the Inscription of War (1988) (75 min)Abounaddara, Kill Them
Brian de Palma, Redacted (2007) (90 min)Abounaddara, Syria: Snapshots of History in the Making (2014) (52 min) Revolution on Film 1 takes place on Saturday, October 31 from 12 to 4 pm.
Revolution on Film is a part of The New School’s public recognition of Abounddara as the recipients of the second Vera List Center Prize for Art and Politics. Abounaddara. The Right to the Image includes a three day conference, an exhibition at Parsons School of Design, integration into classes across the university, and an upcoming publication.
Related
Conversation, Screening
Revolution on Film 1
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Oct 31, 2015
Screening
Revolution on Film 2
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Nov 7, 2015
Exhibition
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Abounaddara. The Right to the Image
Oct 22–Nov 11, 2015
Exhibition
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Abounaddara. The Right to the Image
Oct 23–Nov 7, 2015
Screening
Abounaddara
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Jan 1, 2015
Prize Ceremony
Abounaddara. The Right to the Image
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Oct 22–Oct 24, 2015
VLC Prize Announcement
2014-2016 Prize Recipient: Abounaddara and The Right to the Image
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Oct 1, 2014
Conversation, Panel
Abounaddara. The Right to the Image
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Oct 22, 2015
Panel
Syria, Freedom of Speech, and Responsibility of Representation: The Films of Abounaddara as Tools to Enact the Right to the Image
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