Exhibition

Kite: Hél čhaŋkú kiŋ ȟpáye (There lies the road)

Dec 3–Dec 12, 2021

Opening Reception, December 4, 2021, 1–8 pm
followed by Performance at 7 pm

Gallery hours: Monday through Sunday, 12–6 pm EST
PS122 Gallery, 150 First Avenue, New York, NY 10009

Hél čhaŋkú kiŋ ȟpáye (There lies the road), an installation and performance by Oglála Lakȟóta artist Suzanne Kite, represents the culmination of the artist’s year-long research project Wówasukiye waŋží ahóuŋpȟapi kte (There is a rule that we must observe). Produced at the invitation of the Vera List Center for Art and Politics as part of its 2020–2022 As for Protocols focus theme, the project considers the ethical creation of artwork using Artificial Intelligences through the development of protocols based on Lakȟóta ontologies.

For this site-specific installation, Kite and a team of collaborators  have developed a body interface for movement performances, carbon fiber and stone sculptures, immersive audio-visual installation, and graphics. Together the works on view reconsider our current and future relationships to nonhumans, especially to technology and artificial intelligence, and attempt to establish a sense of relationality between gallery visitors and the computer as a nonhuman entity.

 In Lakȟóta ontologies, materials such as metals, rocks, and minerals are capable of both volition and kinship with human beings. From this perspective, Kite creates new spaces for encounters with artificial intelligence, forming innovative methodologies for approaching human and nonhuman relations in a Good Way (an ethical way). This approach calls for a rethinking of the ontological status of each element that composes and creates artificial intelligence, from the earth’s resources mined for technology to the artworks that eventually use them. By bringing Indigenous epistemologies to bear on questions of AI, Kite’s work as a scholar and an artist develops conceptual frameworks and protocols by which we can conceive of relationships with nonhuman computational technology and AI, and make room for them in our collective future.

The exhibition is accompanied by a newly commissioned essay by Riel Bellow on the VLC’s online publishing platform and a sound work by Kite, which is also included in the exhibition. Additionally, documentation of a May 2021 conversation between Kite and artistic and research collaborators Scott Benesiinaabandan (Anishinaabe), Clementine Bordeaux (Sičáŋǧu Oglála Lakȟóta), and Jason Edward Lewis (Hawaiian and Samoan) is also online. Entitled Hél čhaŋkú kiŋ ȟpáye (There lies the road) – A Dialogue About Making Art in a Good Way, it was presented by the VLC as part of this year-long project. 

The exhibition is presented in partnership with PS122 Gallery and is open Monday through Sunday, 126 pm EST. All visitors must wear masks while in the gallery and show proof of vaccination. Registration is required to attend the performance at 7 pm EST, December 4, 2021. 

READ THE CATALOGUE

SONG OF CURVES BY RIEL BELLOW


 

Hél čhaŋkú kiŋ ȟpáye (There lies the road) at PS 122 is presented by the Vera List Center for Art and Politics as part of the center’s As for Protocols focus theme and Suzanne Kite’s one-year research fellowship. The exhibition is curated by Eriola Pira (Curator, Vera List Center for Art and Politics) with the assistance of Camila Palomino (Curatorial Assistant) and Regan de Loggans (Borderlands Curatorial Fellow). Additional assistance has been provided by Devin Ronneberg (interactive installation and machine learning designer), Bobby Joe Smith III (designer), and Bettina Pérez (studio assistant). The artist thanks Belle Rose, Jason Edward Lewis, and Scott Benesiinaabandan.

The project is part of the Borderlands initiative, a joint project of the Vera List Center for Art and Politics at The New School and the Center for Imagination in the Borderlands at Arizona State University, where Kite is also a Matakyev Fellow. For their support, we are grateful to the Sigrid Rausing Trust, the Native Arts and Cultures Foundation, PS122 Gallery and director Ian Cofre, Mabou Mines, and the board of the Vera List Center for Art and Politics at The New School. 

PS122 Gallery is a not-for-profit alternative exhibition space in the East Village operating since 1979. It is dedicated to fostering and developing the arts by providing opportunities and support services for emerging and under-recognized artists. It is an ongoing program of Painting Space 122, the grassroots, artist-run cooperative that helped foster the vibrant cultural community at the City of New York-owned 122 Community Center (122CC). PS122 Gallery strives to present the work of artists of all backgrounds in a diverse and equitable context. By acting as a platform, PS122 Gallery also seeks to reengage with its surrounding community, welcome new communities, and create new, audience-driven opportunities for engagement.

The Fall 2021 programs of the Vera List Center for Art and Politics at The New School are generously supported by members of the Vera List Center Board, individual donors as well as the following institutional funders:

The Andrew W. Mellon Foundation
The Andy Warhol Foundation for the Visual Arts
Boris Lurie Art Foundation
Dayton Foundation
Ford Foundation
Kettering Fund
Native Arts and Cultures Foundation
Pryor Cashman LLP
and
The New School

Network

Related

Performance

Hél čhaŋkú kiŋ ȟpáye (There lies the road): A Performance

Dec 4, 2021

Catalogue

Kite: Hél čhaŋkú kiŋ ȟpáye (There lies the road)

Audio, Essay, Poetry

Song of Curves

Riel Bellow and Kite

Conversation

Hél čhaŋkú kiŋ ȟpáye (There lies the road) – A Dialogue About Making Art in a Good Way

May 20, 2021

Symposium

As for Protocols—To Hold Things Together

May 20–May 21, 2021

Seminar

Say It Like You Mean It: On Translation, Communication, Languages

Mar 11, 2019

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